Five 'business' lessons to learn from the first printed editions of Dante's Divine Comedy

As a medievalist, I rarely think of the printed history of Dante's (Divine) Comedy. Last week, I went to see Barrie Tullett's exhibition on Dante at Southbank in London, and his opening talk (and performance!) stirred me out of my manuscript-centred complacency and into a reflection of the printed heritage of Dante's work. The exhibition is called 'The …